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LINCOLN IN THE BARDO by George Saunders

I did not like the format of this novel at all.  I read several chapters before I realized that the dialog was taking place between dead people in a Washington, D.C., cemetery—Oak Hill, to be exact.  Interspersed among these conversations are excerpts from real and fake and sometimes radically conflicting historical documents recounting the days surrounding the death of Lincoln’s 11-year-old son Willie.  Willie, too has joined the wakeful dead, clinging to earth in a sort of a waystation before being spirited away to his appointed afterlife.   Willie’s mightily grieving father makes several visits to Willie’s coffin, known by the cemetery denizens as a sick-box, as they are all somewhat in denial of their own deaths.   Another annoying feature of this book is that the speaker’s identity always follows his monologue, which may be rather long, causing the reader to have to guess which dead person is speaking.  In some cases, I could make a reasonable assumption based on the speaker’s manner of speaking or choice of words, but not usually, and I think I would have preferred to have read this book on paper rather than in electronic form.  All that aside, this novel may revolve around Willie and his tormented father, but the backstories of the other characters are in some ways more human, particularly with regard to what might have been, especially in the case of Mr. Bevins and Mr. Vollman.  The author gives both men a “future story” that is beautiful but sad because it was unfulfilled and at the same time perhaps comforting to the two men as a sort of preview of the afterlife.   If all this sounds a little maudlin, take heart.  The not-necessarily-historical documents can’t agree on the weather, much less render a consistent opinion on whether Lincoln was handsome or exceedingly homely.  Alternative facts, anyone?


This post first appeared on Patti's Pages, please read the originial post: here

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LINCOLN IN THE BARDO by George Saunders

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