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To Warn or Not to Warn

To Warn or Not to Warn…that is the question.

One of the reasons we read Fairy Tales is to be transported in a predictable way. Yes, it’s all fantastical, but there are big neon sign type clues that tell you it’s coming. If you save a golden fish in a lake, you better believe it’s going to get you wishes. If a fairy godmother comes with a dress for the ball, you’re going to catch a prince’s eye. And if some rando takes your broken-down old cow and gives you beans, your garden is not getting basic wildflowers.

But would you want to know that the story contains economic hardship, foot mutilation or the dismemberment of a giant? Does it effect the experience? Admittedly fairy tales are rarely read once, so you already know what you’re getting by the first reread. I call that the Shakespeare clause. You don’t read Shakespeare for the ending—he lays that out at the beginning—you read it for the language and the twists of the plot. Unless it’s the histories, and then you already know what’s coming.

What if all you want is some surprise twists and turns? This is the Shyamalan clause. Once you know the ending, is there any point to watching the movie again? Maybe or maybe not.

This is all a long way of working out my feelings for Book blurbs that tell the reader what to expect from the book explicitly. I don’t mean the “Will she save the world or lose her life?” descriptions. I mean the warnings. Lately I’ve seen a lot of addenda stating how steamy the romance will be or giving trigger warnings about violent acts. Is it really fair for the author to have to give these kinds of descriptions for a potential reader? In the case of the trigger warning, I can see the desire to warn, but as to the heat levels for the romance—that feels like you don’t want to waste a reader’s time. And I think that’s where I struggle. Part of the reading experience is wasting time. After you finish school, any reading you choose to do is just that, a choice. I know we’re all super busy, but even the book I relegated to the DNF (did not finish) pile taught me something about my likes and dislikes. You look at the cover art, you read the back blurb, you skim the first few pages and then you take a chance. It’s relatively low risk, so why not leap? Reading is literally (and literarily) a pastime.

Jack didn’t hesitate at the bottom of that beanstalk, he just climbed.

As I said earlier, I’m on the fence. Blurbs can be misleading and then as a reader you feel cheated. I’m also the person who hates watching the Netflix trailers that give away the entire story and then I don’t watch because, why bother?

How about you? Do you want to know exactly what you’re getting when you open a book or is part of the adventure finding out as you go?



This post first appeared on Fairytale Feminista, please read the originial post: here

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To Warn or Not to Warn

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