“Barbarian,” the latest Horror Film from writer/director Zach Cregger, is a clever and unique addition to the genre. The movie starts off with a nightmare scenario that many of us can relate to – a double-booked Airbnb. The tension is set from the get-go as documentary researcher Tess arrives in a forgotten part of Detroit, only to find that a sleepy guy named Keith is already staying there. The film slowly builds up the tension, playing with the optics of Tess putting herself in a vulnerable situation, before taking a sharp turn towards horror as they venture into the basement and discover the house’s many secrets.

As the two strangers get to know each other, the film explores themes of isolation and vulnerability. Tess feels alone and exposed in a new and unfamiliar place, while Keith seems disconnected from the world around him. As they navigate their awkward situation, the tension continues to mount, leaving the viewer on edge and wondering what will happen next.

The film’s use of visuals is particularly effective in creating a sense of unease and tension. The camera often lingers on Tess, framing her in ways that highlight her vulnerability and isolation. The dark, shadowy basement is also used to great effect, with the audience never quite sure what might be lurking in the darkness.

Cregger’s economic filmmaking and effective use of dread keep the viewer engaged and on the edge of their seat throughout the film. The acting is top-notch, with excellent performances from Georgina Campbell, Bill Skarsgård, and Justin Long. Skarsgård, in particular, delivers an unsettling and nervous performance, using his imposing figure and circular eyes to great effect.

Despite its strengths, “Barbarian” falls short in some areas. While the film’s buildup and anticipation are its strongest aspects, the delivery doesn’t quite live up to the hype. The script sometimes relies on convenient plot points, sacrificing believable behavior for the sake of furthering the story. And while the film’s ambition is admirable, its devolution into pure madness can be a bit much.

However, the technical execution of the film is impressive, especially given its limited budget. Cinematographer Zach Kuperstein’s use of different aspect ratios and extensive shots adds to the movie’s thick atmosphere. And while the film’s use of Detroit as a character doesn’t quite set it apart from similar films like “Don’t Breathe,” there are enough unique elements to make “Barbarian” a bold curiosity.

Overall, “Barbarian” is a well-crafted Horror Film that keeps the audience engaged and delivers some effective scares. While it falls short in some areas, particularly in its delivery, the film’s strengths make it a promising debut for Cregger as a director. Horror fans should definitely keep an eye on what he does next.