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It’s 2019, and Taylor Swift still allows Kanye West to live rent-free in her head

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By now, I think every single person with a passing interest in gossip or pop culture knows the basic gist of the Kanye West-Taylor Swift saga. Ten years ago, Kanye bum-rushed Taylor at the VMAs, stole her moment and her mic and “Imma let you finish…” became instantly iconic. Time passed. Kanye apologized a million times. Kanye and Taylor both made lots of music and both became even more successful and even more popular. At some point, it seemed like they truly buried the hatchet. At the 2015 VMAs, Taylor presented Kanye with his Vanguard Award.

Then, in January/February 2016, sh-t fell apart again. Kanye released The Life of Pablo, and one of the songs was “Famous,” which included the lyrics: “I feel like me and Taylor might still have sex/Why? I made that bitch famous.” As soon as it came out, Taylor turned on Kanye publicly, and acted like the lyrics were so inappropriate. Kanye tried to tell people that he had gotten Tay’s permission, but the Tay-Victim train was already on the tracks. It wasn’t until months later that Kim Kardashian posted (on Snapchat) the tape of the conversation Kanye and Taylor had over the phone about the lyrics. To be fair to Tay, all the Snaps proved was that she gave her permission for the “I feel like me and Taylor might still have sex” line. To be fair to Kanye, he was telling the truth about seeking her approval and she even told him that it was no problem if he wanted to name-check her. She had played it for months like Kanye had not even given her a heads up, when clearly, he did.

Why all this background? Because three years after the Summer of Receipts, Taylor is still talking about that sh-t. Kanye and Kim have truly moved on – they haven’t mentioned her in YEARS. Meanwhile, Taylor lives her entire life boiling with rage about how Kim briefly owned her publicly. Kimye lives in Taylor’s head rent-free in the year of our lord 2019. All of this is from Taylor’s completely bonkers Rolling Stone interview, which you can read here.

The hate frenzy of 2016: “People love a hate frenzy. It’s like piranhas. People had so much fun hating me, and they didn’t really need very many reasons to do it. I felt like the situation was pretty hopeless. I wrote a lot of really aggressively bitter poems constantly. I wrote a lot of think pieces that I knew I’d never publish, about what it’s like to feel like you’re in a shame spiral. And I couldn’t figure out how to learn from it. Because I wasn’t sure exactly what I did that was so wrong. That was really hard for me, because I cannot stand it when people can’t take criticism. So I try to self-examine, and even though that’s really hard and hurts a lot sometimes, I really try to understand where people are coming from when they don’t like me. And I completely get why people wouldn’t like me. Because, you know, I’ve had my insecurities say those things — and things 1,000 times worse.

The context behind Kanye’s phone call to her about “Famous”: “The world didn’t understand the context and the events that led up to it. Because nothing ever just happens like that without some lead-up. Some events took place to cause me to be pissed off when he called me a bitch. That was not just a singular event. Basically, I got really sick of the dynamic between he and I. And that wasn’t just based on what happened on that phone call and with that song — it was kind of a chain reaction of things.”

Reconnecting with Kanye in 2015: “I started to feel like we reconnected, which felt great for me — because all I ever wanted my whole career after that thing happened in 2009 was for him to respect me. When someone doesn’t respect you so loudly and says you literally don’t deserve to be here — I just so badly wanted that respect from him, and I hate that about myself, that I was like, “This guy who’s antagonizing me, I just want his approval.” But that’s where I was. And so we’d go to dinner and stuff. And I was so happy, because he would say really nice things about my music. It just felt like I was healing some childhood rejection or something from when I was 19.”

The 2015 VMAs: “But the 2015 VMAs come around. He’s getting the Vanguard Award. He called me up beforehand — I didn’t illegally record it, so I can’t play it for you. But he called me up, maybe a week or so before the event, and we had maybe over an hourlong conversation, and he’s like, “I really, really would like for you to present this Vanguard Award to me, this would mean so much to me,” and went into all the reasons why it means so much, because he can be so sweet. He can be the sweetest. And I was so stoked that he asked me that. And so I wrote this speech up, and then we get to the VMAs and I make this speech and he screams, “MTV got Taylor Swift up here to present me this award for ratings!” [His exact words: “You know how many times they announced Taylor was going to give me the award ’cause it got them more ratings?”] And I’m standing in the audience with my arm around his wife, and this chill ran through my body. I realized he is so two-faced. That he wants to be nice to me behind the scenes, but then he wants to look cool, get up in front of everyone and talk sh-t. And I was so upset. He wanted me to come talk to him after the event in his dressing room. I wouldn’t go. So then he sent this big, big thing of flowers the next day to apologize. And I was like, “You know what? I really don’t want us to be on Bad Terms again. So whatever, I’m just going to move past this.”

The call about “Famous”: “So when he gets on the phone with me, and I was so touched that he would be respectful and, like, tell me about this one line in the song…And I was like, “OK, good. We’re back on good terms.” And then when I heard the song, I was like, “I’m done with this. If you want to be on bad terms, let’s be on bad terms, but just be real about it.” And then he literally did the same thing to Drake. He gravely affected the trajectory of Drake’s family and their lives. It’s the same thing. Getting close to you, earning your trust, detonating you. I really don’t want to talk about it anymore because I get worked up, and I don’t want to just talk about negative sh-t all day, but it’s the same thing. Go watch Drake talk about what happened. [West denied any involvement in Pusha-T’s revelation of Drake’s child and apologized for sending “negative energy” toward Drake.]

[From Rolling Stone]

Reader, I laughed when she brought up DRAKE! Drake tried to hide a whole-ass child from the world and Pusha T spilled all the TEA and Kanye was like “I want no part of this!” Seriously, the most anyone could ever say about Kanye’s involvement in the Drake-Pusha thing is that he was possibly-maybe indiscreet about some gossip. Kanye wasn’t pushing Pusha T to spill the tea about Drake’s child. And Taylor is like “THIS IS KANYE’S FAULT TOO!”

I’m not going to get into as much detail as Taylor about all the timelines and all of that, partly because Rolling Stone was kind of calling her out on her bullsh-t through their bracketed notes too. Kanye wasn’t criticizing Taylor in his 2015 VMA speech, he was criticizing MTV for turning the sh-t into a circus. And I remember that Kanye sent Taylor flowers after the VMAs too – he didn’t send them as an apology, he sent them as a f–king “thank you.” But do you see how everything gets distorted in TayWorld? When you live inside your own ass, you see everything through the prism of “I’m always the victim in every story.” What’s f–ked up is that if Taylor actually let some sh-t go and stopped misrepresenting herself into a corner, we might actually be able to see, “oh right, Kanye is a piece of sh-t for this and that.” We know Kanye’s problematic behavior well enough – she should not have to work this f–king hard to villainize him, you know?

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Photos courtesy of Getty.

This post first appeared on GLITOVINE, please read the originial post: here

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It’s 2019, and Taylor Swift still allows Kanye West to live rent-free in her head


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