While we live in an era where YouTube marketing and blogging are the future of this new generation, the most important thing to be a social media or YouTube star is obviously to have some kind of impressive talent, but besides that the quality of the videos you upload or pictures you post needs to be exceptional. To help you attract or invite number of people to your content, people don’t really want to watch any video whose quality is so mediocre, even if you have talent, they don’t really enjoy such videos, to start any successful and independent marketing campaign, it requires video and audio mediums quality to be as effective and outstanding as it can possibly get. Your audience will never want to waste time on just a smart phone video that clearly and perfectly shows a low budget and a lack of professionalism. So, in this video we are going to talk about best Sony Lens for video. Why Sony? Well, they are among the widespread brands and many of readers requested us to research, review and list Sony lenses for video. For your information, we have already listed and reviewed best Sony lenses for portrait photography.

Whether you are shooting music videos, commercials, or want to upload any casual videos to YouTube and other platforms, their features and sizes truly makes them the best right now. If you want to improve or upgrade the quality of your videos and make them look more better and professional, then it’s most probably the time for you to invest in a really good lens.

As advanced and upgraded as smart phones are becoming, they are still not a nice replacement for a better quality DSLR camera with the right and perfect lens. Updating to a DSLR or a mirrorless camera permits you to swap out various lenses to fit your individual and specific needs.

Whether you are producing videos for tech channels or for fashion, a documentary, or even the interviews, the very first step to achieve a successful market is attained by choosing the right lens for your SONY camera. The situation can be made that the lenses, and not the actual cameras, accounts for the most of what makes any video great as photography and videography are basically all about optics. The kit lens which is included with your DSLR is great for the startup photography for beginners, but it won’t capture your amazing story effectively and efficiently for professional videos.

Main things to look in Best lens for Videography

When you are choosing the right lenses for your project, there are two main key attributes on which you will need to focus; aperture and the focal length. Most of the lens categories varies in focal length, or how close a subject can appear in millimeters. The incredible human eye is equivalent to 30 mm to 50 mm, whereas a telephoto lens which generally brings far away objects up too close, may be up to 500 m whereas a wide angled lens can be around 10 mm.

Sometimes what sets any type of lens separate is the large aperture, which is the hole that permits in light as measured by the f-stop. With a much wider aperture, more light will come in for the best chance at getting great video even indoors where the light is usually dim. The big trade off or the big advantage with a wide aperture is that you can’t focus on so many objects at various distances because the lens has a shallow depth of the field. This will keep your subject very neat and clear, but the background will become blurry which will help you focus on the object.

For all of you shutterbugs out there who depends on Sony cameras and are so ready to add a new dimension to your photography or videography, check out our list of the best Sony Lenses for videography. Each one is especially designed to give you a perfect focal range and aperture for capturing exceptional portraits, wildlife shots, landscapes, or fast moving action, depending completely on your individual style.

Depending on your videography requirements, you may need one or even more of the following camera lenses we mentioned below to get the perfect possible effect. SONY camera lenses are best for recording videos. While selecting the 3 best lenses in this article, we made sure to focus on the most important image quality, sharpness, aperture size (which helps in making your background blurry) and the overall design.

Best Sony Lens for Videos (Comparison)

Sony Sonnar® T* FE 55 mm F1.8 ZA- Editor’s Choice

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The Renowned Carl Zeiss resolution and contrast introduces the best in a7 series full frame E-mount bodies. The T* coating works with an original optical design to overpower internal reflections, for supreme contrast from highlights to deep blacks. While keeping with the Sonnar idea, a large F1.8 maximum aperture can make beautiful full frame background bokeh, but you also have the choice of stopping down for an extended depth of field. A bright lens like this one, is also a benefit when shooting outdoors or indoors in low light. It’s Linear motor driven internal focusing is quiet and smooth, and the moisture and dust resistant design provides consistently authentic and reliable performance.

When you will change your aperture to defocus the background, the light sources will appear blur. The blurred background of this ‘bokeh’ effect can be enhanced and improved with the amazing circular aperture blades used in this lens. The conventional aperture blades have flat sides developing unappealing polygonal shaped defocused points of the light, this lens controls this issue through a unique and better design that keeps the aperture almost perfectly and accurately circular from it’s wide open setting to the point when it is closed by 2 stops. More natural and smoother defocusing can be achieved as a result.

Aspherical lens design spectacularly decreases spherical aberration while also decreasing lens weight and size. Spherical aberration is a modest and slight misalignment of the light rays which are projected on the image plane. This is created by differences in refraction at various points on conventional spherical lenses which, as a result degrades image quality in a large-aperture lens. It’s specifically shaped “aspherical” elements near the diaphragm fix alignment or management of light rays at the image plane, it retains sharpness and high contrast even at its maximum aperture and can also be used at some other points in the optical path to decrease distortion.

The well designed and well-built aspherical elements can decrease the total number of elements needed in the lens, thus reducing overall weight and size. Advanced Aspherical (AA) elements are an upgraded and evolved variant, featuring an extremely high thickness ratio between its center and it’s periphery. The AA elements are relatively tough to develop, depending on the most advanced and upgraded molding technology to precisely and consistently attain the required surface and shape accuracy, resulting in overall improved image accuracy and quality.

Coated optics were basically pioneered by the Carl Zeiss and this excellent lens features the Carl Zeiss T* (T-Star) coating that virtually finishes lens flare, light scattering and internal reflection that can on the other hand occur at glass to air surfaces. The T* coating helps to exceptional and outstanding image quality, with uniformly marvelous resolution and high contrast right out to your image edges. It’s simply not applied to any lens, the T* symbol appears only on multi-element lenses in which the needed performance has been attained throughout the entire optical path, therefore guaranteeing the top quality.

Only the middle part of the optical system moves, if you want to achieve focus, resulting in literally no variation of the overall length of the lens. Other very basic and important advantages includes quick autofocusing and the short minimum focusing distance. Also, the front filter thread of the lens does not rotate, which is super convenient if you are using a polarizing filter.

Here we listed some of the pros and cons of this SONY 55 mm F/1.8 full frame lens.

CONCLUSION

This SONY 55 mm lens is no doubt an awesome lens, unbelievably sharp, super-fast and has a GREAT color rendition, which makes it totally worth it’s high price tag for sure. The Sony Zeiss lens is a superb choice for any e-mount, full-frame Sony interchangeable-lens camera system. The build quality is outstanding. It is very tough to find an expert who will complain about this lens image quality. DxO Mark, in fact ranks this lens as the ninth sharpest lens they have ever tested, out of approximately ten thousand lenses. What makes it even more impressive is that you can purchase this at a price of less than even $1000, while some of the inferior lenses cost as much as 13 times this, everything about this lens makes it a must have for professionals as well as photography passionate, Highly recommended.

Sony E 10-18mm F4 OSS  

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Sony E super wide angle zoom lens is ideal for taking photos of sweeping landscapes and making striking images with supreme emphasized perspective. Its amazing features include a maximum constant aperture of F4 and a built-in Optical Steady Shot (OSS) for image stabilization.

As focal length of the lens get longer, lenses which are built with conventional optical glass have issues with chromatic aberration, and as a result the images end up with lower contrast, lower color quantity and lower resolution. An ED glass amazingly decreases chromatic aberration at telephoto ranges, and allows superior contrast across the image, even at large aperture settings. A super ED glass provides enhanced compensation for chromatic aberration.

While you change your aperture to defocus the background, it’s light sources appear to be blur. This is the bokeh effect of the blurred background and it can easily be enhanced with a circular aperture blades which are used in this lens. The conventional aperture blades have flat sides which creates unappealing polygonal shaped defocused points of light. A lens dazed this issue in a unique and diverse design that retains the aperture flawlessly circular from its wide-open setting to when it is shut by 2 stops. It’s more accepted and flatter defocusing can be accomplished as a result.

Aspherical lens design reduces spherical aberration while also reducing lens weight and size. A spherical aberration is basically a little misalignment of the light rays which are projected on the image plane, generally caused by differences in refraction at various different points on conventional spherical lenses which interrupts image quality when in large aperture lenses. The especially shaped aspherical elements near the diaphragm restores the alignment of light rays at the image plane, keeping contrast and high sharpness even at the maximum aperture and it can also be used at other different points in the optical path to decrease distortion.

It’s well-built and well-designed aspherical elements can decrease the total number of elements which are required in the lens, thus decreasing overall size and weight. It features a very high thickness ratio between the periphery and center. The AA elements are highly difficult to produce, depending on the most advanced molding technology to precisely and consistently attain the required surface and shape accuracy, which results in an overall improved quality and amazing accuracy.

The distance encoder of the lens plays an integral part in the ADI flash metering, which provides a high precision flash metering that is not affected by the reflectance of backgrounds or subjects. The distance encoder is the component of a lens that detects the position of the focusing mechanism directly and sends a signal to the CPU in order to measure distance to the subject. During the flash photography, this data is very helpful in calculating how much flash output is best to the scene.

Gyro sensors which are built into the lens that detects even the slightest movement, and the stabilization lens is accurately shifted to counteract any image blur that might occur. The usage of accuracy, the noiseless rectilinear motors and the technology inborn from high end Sony proficient camcorders outcomes in exceptionally quiet, an active image stabilization that mostly promotes to high quality stills as well as movies.

Only the optical system of the middle groups move to attain focus, so the overall length of the lens do not change. Other top benefits includes fast autofocusing and the short minimum focusing distance. Also, the filter strand at the front of the lens do not swivel, which is very suitable if you are using a splitting filter.

Below we mentioned some of the pros and cons of this SONY E 10-18 mm lens.

CONCLUSION

This SONY lens delivers on all accounts. It is compact, lightweight, and has a very fast focus, basically, it’s a great compromise between performance and size. It delivers amazing JPEGs with built in camera correction showing nice saturation and colors. It’s a perfect lens for landscapes and oceans capes. A lens which is compact, has sharp ultra-wide angle lens with optical stabilization and the constant aperture of F4.0 and which only weighs 0.5 lb. is perfect to carry around anywhere without making you tired, it’s perfect for videos too.

Rokinon FE14M-S 14 mm F2.8

Rokinon 14 mm Ultra-Wide Angle f/2.8 lens is made to provide an exceptional 115.7° view on a full frame camera and is ideal for astrophotography, real estate imagery and landscapes. It also works amazing with Mirrorless cameras and DSLR to provide approximately an angle of view of 94° with the APS-C cameras, 90° with the Canon APS-C cameras and 76° with Micro 4/3 cameras. The advanced 14 element, 10 group design focuses to the close 11 inches (0.28 mm) to develop sharply defined images with a minimum of chromatic and distortion aberrations. It utilizes 2 ED elements, 3 High Refractive Index elements, 1 Hybrid Aspherical element, and one glass Aspherical element, for exceptional sharply defined rectilinear images.

Ultra-wide angle Rokinon utilizes the Ultra Multi Coating to decrease flare and ghost images, the package includes a built in petal-type lens hood and comes in with mounts for: Canon EF, Sony E, MFT, Nikon F, Sony A, Fuji X, and Pentax K. It perfectly captures the entire scene. This Rokinon 14 mm F/2.8 allows a frame filling ultra-wide rectilinear view that is perfect for landscape photography, astrophotography, street photography, and real estate photography.

The UMC Multi Coating increases light transmission and contrast while decreases flare and ghosting. It’s excellent sharpness and low coma are exceptional lens for shooting the night sky. This Rokinon lens has a focal length which is shorter than 18 mm. The Low Distortion minimizes curvature of the straight lines. This lens is designed to reduce light scattering and reflections within the lens which assists to avoid image degrading haze, artifacts from bright light sources and low contrast. Low CA Low Coma helps avoid comatic aberration that actually looks like a comet’s tail that can be caused from a point source of light.

These prime lenses are typically lighter, sharper, and can also work in lower lighting conditions than other zoom lenses. Generally, less compromises are involved when a lens is designed for optimal performance for any specific focal length. They don’t have to cover all of the extra additional problems which are encountered with the extra mechanics and glass required to zoom. With their amazingly faster (wider) maximum apertures and very few lens elements, primes can also collect and pass through more of the light. As a result, even in dim lighting conditions, you can usually get better quality videos and images. Additionally, because of their smaller weight and size, they are perfect for stealthy street shooting, hiking and for travel.

Below we listed pros and cons of this lens.

CONCLUSION

Rokinon lenses and optics have been synonymous with no other compared quality and integrity. They continue to deliver on its stellar reputation by allowing superbly engineered and best innovative products at prices that are super affordable. As the one of the most popular and largest brands of DSLR camera lenses in the world, you can be secure and confident that Rokinon products will ensure outstanding performance with exceptional durability. They are proud to provide a wide range of mounts. Whether you are planning to add new lenses or add on to an existing collection, their lenses helps you unlock your creative side and potential and focus on the performance and value that only Rokinon lenses can obtain.

HOW TO CHOOSE BEST SONY LENS FOR VIDEOS

Following tips are essential while shopping for best Sony lens for video

PRICE

Price is something you can never ever forget no matter what you are aiming to buy. The price of any lens is a very big deciding factor for, let’s be honest, all of us, as it’s not something you can neglect. Before you start looking up for the best lens, out there for your SONY camera, plan on any budget to work with. It may be a little tempting to be extravagant on a very high-end lens, but it should not be preferred to go over the top and ignore the price. If you have a limited and tight budget and upgrading your lens is pretty much important, be more active and research the various budget lenses available in the market that can help you achieve the kind of images or videos you would like to take, as well as, they are budget friendly. The lens better be worth each and every penny you spend on it.

FOCAL LENGTH

Generally speaking, focal length is very very important when you are looking for a lens to get those perfect pictures and videos, you always wanted to take. Focal length is basically the millimeter measurement of any lens. The wide angle lenses usually have a higher amount of focal length, which, as a result, affects distortion, forming them to be a little less attractive for portraits. The wide angles lenses are best for landscapes or oceanscapes and are great for videos. The lenses with focal length between 10 mm to 55 mm, this is what feels natural for the videos. All of the top three lenses we compiled above are wide angled lenses perfect for landscapes and videography.

APERTURE

Aperture basically controls the depth of the field, and a lens with a larger aperture can create a shallower depth of the field. For instance, the depth of area which is in focus will be lesser, which helps free any subject you want to capture from the background. The lenses with the widest apertures are generally best lenses, which means they provide a single focal length without the option of zooming in or zooming out.

Big apertures of any lens permit you to fully blur the background and make the video footage look much more professional and better. It’s so stunning and fabulous to know how one simple change from let’s assume, f/5.6 to f/2.8, can make the exact same scene look completely different. The Zoom lenses can actually go up to f/2.8 but sometimes are quite expensive.

AUTO FOCUS

This feature depends totally on what Sony camera you are using, but, the good news is that all lenses on our list have better focusing speeds. If you are planning to do it manually, then this feature becomes something you don’t have to worry about at all.

IMAGE STABILIZATION

This feature, OSS only helps if your subject is entirely still, sometimes, you; the person who’s taking pictures or making a video are the problem (you are tired, heavy gear, shaky arms or any other possible issue). It can help a whole lot when you are shooting static subjects such as architecture, landscapes, still people, streets, buildings etc. It cannot stabilize a moving car, or just anything else which is moving.

Final Verdict

By far, we hope this article helped you a little bit in finding the perfect SONY lens for videos. All of the above mentioned lenses are selected based on the quality of the images and videos, build quality, and the other major features which we already mentioned in the guide above. Keeping in mind their exceptional features, they are guaranteed to provide you stunning experience. They are ideal for both the starters (if you are willing to spend this much money on your first lens, completely your choice) and professional photographers or videographers. Selecting a new lens for your camera is simply not a piece of cake. You don’t just casually select any lens and purchase it. There are some features (mentioned right above this) that you must seriously consider assisting you make the best possible decision. We really hope you find the best suitable lens for your camera, under your budget and for the type of videos you are going to shoot or record sooner.

Happy videography!

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