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Ray Donovan 6.10: Working Together

Tags: donovan

The best Ray Donovan of the season - 6.10 - last night.  Because ... there's nothing as impressive as the Donovans working together.  Even just most of them, in a configuration we haven't quite seen before.

Mick continues to be at the top of game, encouraging Ray, not quite himself (always, this season) after all of the continuing beatings he's taken.  Mick tells Ray to do what Ray already knows: take one of theirs, the only way to have any chance of getting back Bridget.

The "theirs," as we know, are the NYPD's - I'm sure they're thrilled with this season of Ray Donovan - and Mick does a great job in the bar of capturing one of the cops or detectives or whatever these lowlife criminals with badges are who took Bridget as a way to pressure Ray to give back his recording of the Mayor ordering a hit. 

Sadly, also among those miscreants is Mac, but he still has a heart.  He apparently took Bridget somewhere, for her safety, after getting the call from the other bald guy with a badge that Ray had Danny (the detective in the bar), and he (the bald guy) was on his way to take care of things.

All of which resulted in: Danny beaten by Mick, and threatened by Ray (not only Danny but his family), revealing where Bridget is being held.  And although Ray doesn't free her in the end - because Mac has (presumably) taken her somewhere to keep her out of harm's way - at least Ray is close.

It's always good to see Donovans working together - in this case, with Jerry Orbach getting a shout-out from Mac for his Law and Order role, with Dirty Dancing playing on television.

See Ray Donovan 6.1: The New Friend ... Ray Donovan 6.2: Father and Sons ... Ray Donovan 6.4: Politics in the Ray Style ... Ray Donovan 6.6: The Mayor Strikes Back ... Ray Donovan 6.7: Switching Sides ... Ray Donovan 6.8: Down ... Ray Donovan 6.9: Violence and Storyline

See also Ray Donovan 5.1: Big Change  ... Ray Donovan 5.4: How To Sell A Script ... Ray Donovan 5.7: Reckonings ... Ray Donovan 5.8: Paging John Stuart Mill ... Ray Donovan 5.9: Congas ... Ray Donovan 5.10: Bunchy's Money ... Ray Donovan 5.11: I'm With Mickey ... Ray Donovan 5.12: New York

See also Ray Donovan 4.1: Good to Be Back ... Ray Donovan 4.2: Settling In ... Ray Donovan 4.4: Bob Seger ... Ray Donovan 4.7: Easybeats ... Ray Donovan 4.9: The Ultimate Fix ... Ray Donovan Season 4 Finale: Roses

And see also Ray Donovan 3.1: New, Cloudy Ray ... Ray Donovan 3.2: Beat-downs ... Ray Donovan 3.7: Excommunication!

And see also Ray Donovan 2.1: Back in Business ... Ray Donovan 2.4: The Bad Guy ... Ray Donovan 2.5: Wool Over Eyes ... Ray Donovan 2.7: The Party from Hell ... Ray Donovan 2.10: Scorching ... Ray Donovan 2.11: Out of Control ... Ray Donovan Season 2 Finale: Most Happy Ending

And see also Ray Donovan Debuts with Originality and Flair ... Ray Donovan 1.2: His Assistants and his Family ... Ray Donovan 1.3: Mickey ... Ray Donovan 1.7 and Whitey Bulger ... Ray Donovan 1.8: Poetry and Death ... Ray Donovan Season 1 Finale: The Beginning of Redemption


It started in the hot summer of 1960, when Marilyn Monroe walked off the set of The Misfits and began to hear a haunting song in her head, "Goodbye Norma Jean" ...

This post first appeared on Paul Levinson's Infinite Regress, please read the originial post: here

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Ray Donovan 6.10: Working Together


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