From the Wikipedia site: "Nuta Kotlyarenko, known professionally as Nudie Cohn (December 15, 1902 – May 9, 1984), was a Ukrainian-born American tailor who designed decorative rhinestone-covered suits, known popularly as "Nudie Suits", and other elaborate outfits for some of the most famous celebrities of his era."
Cohn was a Russian immigrant who first established himself as a tailor in New York city in the 1930's when he opened a store called Nudies For The Ladies which specialized in producing undergarments for showgirls. Legend has it that he was the first tailor to put rhinestones on tailored clothing. By the 1940's, Cohn had moved to California when he set up shop in his garage and began creating stage outfits for such country music greats as Spade Cooley, Lefty Frizzell and Tex Williams. Nudie's unique clothing designs created so much interest among the showbiz crowd that he opened a store called Nudie's Rodeo Tailors on the corner of Victory and Vineland in Los Angeles.
In 1957, Cohen got his biggest break of all when he was commissioned by Elvis Presley's manager, Col. Tom Parker, to design a $10,000 lame Suit that graced the cover of Presley's 50,000,000 Elvis Fans Can't Be Wrong album which was released by RCA in 1959.
More info regarding how the gold suit came to be priced at $10,000 was gleaned from the A Nudie A Day blog: “As spectacular as the suit was, Nudie and the Colonel (huckster showmen that they were), added a gimmick. The suit would be valued at an astounding $10,000. Nudie would later joke that $9,500 was pure profit, and the actual bill of sale for the suit was for $2,500—but the suit would officially be touted as the Famous $10,000 Gold Lamé Suit.”
From the Nudie's Rodeo Tailor site: " In 1963, [Cohn] moved his store to Langershim Boulevard. There Nudie continued to clothe everybody who was anybody...including John Wayne, Gene Autry, Cher, John Lennon, Ronald Regan, Elton John, Robert Mitchum, Pat Buttram, Tony Curtis, Michael Landon, Glen Campbell, Hank Snow and Hank Williams Sr.
As the 1960's were winding down, Nudie Cohn's career took on a new dimension when he made a suit for Gram Parsons. An article by Elyssa East in the Oxford American magazine provides some details about the creation of Nudie's most renowned suit: “The 1960s were coming to a close when rising country rock musician Gram Parsons posed next to Nudie Cohn, the celebrated Western-wear designer more than three times his senior. Raeanne Rubenstein shot their portrait for Show: The Magazine of the Arts at Nudie’s Los Angeles workshop. Over a smooth bare chest and midriff, the twenty-something Parsons wore the suit Nudie designed for him for the cover of the Flying Burrito Brothers’ debut album, The Gilded Palace of Sin. Made of white cavalry twill, it was embroidered with crudely rendered naked ladies, rhinestone-studded marijuana leaves, and sequin-dotted poppies. Tuinal and Seconal capsules and sugar cubes laced with LSD decorated the sleeves. On the back shined a giant, gleaming cross. Flames licked the sides of both bell-bottom legs. Rubenstein’s shutter clicked, capturing the near-familial warmth and affection between the two men, neither of whom would have predicted that the suit, which went on to help make Parsons a legend, also foretold of his death."
"In the late 1960s, Nudie’s son-in-law and head tailor Manuel Cuevas met Parsons and enticed him into Nudie’s shop. In addition to working for Nudie, Manuel, who goes by his first name professionally, was working on crafting the Grateful Dead’s skeleton-and-roses insignia and designing the suits for the Beatles’ Sgt. Pepper’s album. Soon after, Parsons began sporting Nudie’s outlandish creations as the visual corollary to his unique sound."
“Parsons had started a new band called the Flying Burrito Brothers with Chris Hillman, another ex-Byrd. When it came time for the Burritos to record their debut album, The Gilded Palace of Sin, Nudie was the obvious choice to help put together their look. Nudie and his staff made outfits for all four of the Burritos, each to their own tastes and whims. Hillman, who played guitar and shared vocals and songwriting credits with Parsons, opted for a lush cobalt blue suit with peacocks on the front and a giant sun on the back. Peter “Sneaky Pete” Kleinow, the band’s pedal steel player, requested a suit embroidered with a pterodactyl and a tyrannosaurus rex. Bassist Chris Ethridge asked that his Edwardian frock coat and pants be covered in a classic motif of red and yellow roses. [Manuel] stitched the embroidery on Parsons’s suit himself because Rose Clements, Nudie’s chief embroiderer, refused to sew the pictures of drugs and naked women...At the time, the album’s greatest success belonged to Nudie—four months after Gilded’s release, he was featured on the cover of Rolling Stone. Before long, John Lennon, Janis Joplin, Bob Dylan, the Rolling Stones, Sly Stone, and Bootsy Collins, among others, would all wear his styles, inspiring Western wear’s popularity in the 1970s."
"Nudie would hop in his custom Western-themed Cadillac convertible, with pistols for door handles, a hand-tooled leather dashboard covered in silver dollars, horseshoe hood ornaments, and steer horns jutting forth from the front grill, and drive to the clubs to hear the band play."
Nudie Cohn, 81 years of age, passed away in 1984. The Oxford American article provides a fitting epitaph for Nudie, the Cosmic Tailor...
"Many consider Parsons’s Nudie suit to be the designer’s masterpiece. Nicknamed Sin City, after a song on the Burritos’ album, the suit has been called “the Sistine Chapel ceiling of cowboy attire” by Guardian critic John Robinson. It is a study in dualities: vice and sanctity, irony and earnestness, and country music style and rock & roll sensibility. Aesthetically, it is the perfect visual expression of Parsons’s music, which melded country to rock and gave rise to an entirely new sound. Bands such as the Eagles, the Doobie Brothers, and later-generation artists Uncle Tupelo, Whiskeytown, Old 97’s, and Steve Earle—and the entire Americana and alt-country movements—would be inconceivable without the example Parsons set. Contemporary musicians such as Jack White and Jeff Tweedy continue to wear Nudie- and Parsons-inspired looks to this day."
Here are some more examples of Nudie Cohn's unique artistry....
Nudie's Rodeo Tailors site