September 28th 2022

Rob Paine’s roots run deep. From the moment he really felt music as a youth, he knew where his mind, body, and soul would take him on his life’s journey. That passion has provided the foundation for a diverse and eclectic musical immersion ever since. He has been on a rapid rise from bedroom mix tapes to underground events to DJing internationally since he started out in 1993. He, along with his Circle Production crew, created and curated some of the most epic parties in Philadelphia throughout the 90s. In parallel, he began to flex his music theory education and production expertise by creating a broad range of songs across a myriad of genres such as house, techno, reggae, broken beat, dub, and down-tempo.

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Rob Paine, Worship Recordings, And Musical Success

Today, Paine as a co-founder of Worship Recordings (along with Dan Thompson and Zac Eberz) is one of the music icons in the City of Brotherly and Sisterly Love, and across the world. His diverse musical roots, success as label owner, producer, DJ and event creator and his innovative approach to melding electronic dance music make him a standout.

Formed in 1998, Worship Recordings clearly reflected Paine’s vision to pay respect to the roots of music while inspiring himself and others to innovate for the future. In 1999 he was awarded the “Most Innovative Producer” by the Philadelphia City Paper. During that time, he and Eberz began using the name Solomonic Sound for their productions and as a vehicle for releasing their dub-influenced house and techno tracks on Worship. Paine also released as a solo artist and collaborated with Wamdu’s Chris Udoh for early Worship releases.

With his passion reinforced by the labels’ success and critical industry acclaim, Paine’s unique sounds were soon being released on labels like Large, Tango, Shaboom, and Grayhound to underground and commercial success. In addition, his productions were also licensed to labels such as Bedrock, Fabric, and NRK as part of compilations.

Rob Paine, co-founder of Worship Recordings (C) Jonene Nelson

Rob Paine's Collaborations And Global Projects: Shakedown, Goodie, And More

Soon after, another canvas was unveiled as a tapestry to showcase the Worship Recordings productions and artists: the Shakedown parties. Paine, Eberz and Philadelphia legend Willyum launched Shakedown in 2002 and they are still going strong today, evidence that music – done right, is enduring. Paine’s events always feature incredible sound via the “Solomonic Sound System” that he and his crew developed and have fine-tuned to audiophile quality for discerning DJs and dancers. That same uniqueness and quality is evident in his custom-designed studio, and apparent when you hear Paine’s production and remix work.

Paine has performed across the U.S., Canada, Mexico, Jamaica, and London in iconic clubs/parties such as Fabric, PS1, and Deep Space. He has also held residencies in New York, Washington D.C., San Francisco, and Miami, and has played at festivals such as the massive Shambhala & Soundwave festivals in British Columbia. In 2012, Paine and Francisco Collazo established “Goodie,” a series of special monthly underground events highlighting the facets of techno while hosting local and international talent.

Collaborations, productions, remixes, and releases continue to abound for Rob on Worship Recordings, LeftRoom, I Recordings, Hallucienda, Yoruba, Doin’ Work, Dubwise, ZamZam Sounds, Kaato and on compilations like one done by Maceo Plex in 2013. Releases under the CIRCLE moniker with partner Keith Landis, a RISE 8 collaboration with Gerhardt Koerner, and through his HEIGHTS & WORSHIP and RMP aliases are making chart waves worldwide.

Rob Paine's Weedsday Playlist For The Cannabis Connoisseur

But Paine is more than his music. As a cannabis advocate, he’s always found ways to ensure that there’s harmony between tunes and THC. Like any great DJ, his Weedsday Playlist is a perfect mix of elements to synthesize with your sweetest high.

John Holt - "Police In Helicopter"

This has always been the ganja tune anthem for me and a lot of other reggae connoisseurs. When ganja was more illegal, this is the song that always made me feel like starting a revolution to fight against the Babylon system that persecuted us for partaking in the cannabis. But then the effects of the ganja kicked in that kept me from fighting anyone so I just chilled :). This song always gets some signal [applause] when played in the dance [party].