Praise for Ceridwen Dovey's In the Garden of the Fugitives
“In a novel unabashedly about ideas, Dovey does not shy away from bluntly confronting big questions head-on, and yet—a testament to her skill—the Book, while trembling with meaning, is neither obvious nor cumbersome but unsettlingly alive. Sweeping both geographically and intellectually; a literary page-turner.” —Kirkus (starred review)
In the Garden of the Fugitives Synopsis:
Almost twenty years after forbidding him to contact her, Vita receives a letter from a man who has long stalked her from a distance. Once, Royce was her benefactor and she was one of his brightest protégées. Now Royce is ailing and Vita’s career as a filmmaker has stalled, and both have reasons for wanting to settle accounts. They enter into an intimate game of words, played according to shifting rules of engagement.
Beyond their murky shared history, they are both aware they can use each other to free themselves from deeper pasts. Vita is processing the shameful inheritance of her birthplace, and making sense of the disappearance of her beloved. Royce is haunted by memories of the untimely death of his first love, an archaeologist who worked in the Garden of the Fugitives in Pompeii. Between what’s been repressed and what has been disguised are disturbances that reach back through decades, even centuries. But not everything from the past is precious: each gorgeous age is built around a core of rottenness.
Profoundly addictive and unsettling, In the Garden of the Fugitives is a masterful novel of duplicity and counterplay, as brilliantly illuminating as it is surprising—about the obscure workings of guilt in the human psyche, the compulsion to create and control, and the dangerous morphing of desire into obsession.
(Farrar, Straus & Giroux, May 2018)
BOOK REVIEW
I was profoundly moved and impressed by Ceridwen Dovey's short story collection Only the Animals, and so eager to read this talented author's latest offering. True to form, In the Garden of the Fugitives features an exploration of confronting subject matter in confident and artful prose, but I am left with ambivalent feelings about the work as a whole.
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