Conflict of Interest Notes: The following review is based on complimentary press copies. Plus, I’m friendly with Ryan Estrada. Also, I hope to submit work of my own to future iterations. That said, I wouldn’t want to contribute my own work if I didn’t honestly think what Ryan is doing is pretty great.
Ryan Estrada has launched a fascinating new publishing venture. “The Whole Story” deals entirely in self-contained e-books (nothing serialized), sold on a model inspired by the The Humble Indie Bundle video game sales. Briefly: a varied group of titles are packaged together and sold on a “pay what you want” system, but with additional rewards unlocked by choosing to pay at a higher rate. The bundle will only be available for a limited time, so if you want it, you need to grab it now.
I’m fascinated by this packaging method, as it seems like a great way to get readers familiar with one creator interested in the work of lesser-known creators packaged with them. Not to mention that web distribution as a whole is still struggling to find a good model for publishing longform narrative comics, which just don’t lend themselves to succeeding on the same model as humor strips. This is the first iteration of this model that Estrada is running, and I’ll be waiting eagerly to hear his report on how successful it was. I’m very hopeful that it will do well enough to justify further such attempts in the future.
The base package, for which you can pay as little as one dollar, includes three books: Estrada’s own “The Kind,” Box Brown’s “A Heart of Stone Work,” and the collaborative experiment anthology Fusion Elementary. As you go up the pay ladder, the books that get added in include a second collaboration experiment (which I’ll explain in a bit) “Fusion Future,” two more Box Brown Titles “Walk Like a Sumerian” and “The Great Dissapointment,” and the “You Can Do It Dong Gu,” the US debut of Korean artist Nam Dong Yoon. Additional rewards include audio commentaries, original art, and additional gift downloads for friends.
The core books of the set are Estrada’s and Brown’s, especially as the latter fills out just shy of half the books available. Estrada’s The Kind is a sweetly horrifying story of new love and inadvertent violence, about a smitten couple, one of whom happens to turn into a bloodthirsty monster every time the moon is full. The awkward romance comprises the bulk of the story, slowly building up to the hilarious grievous bodily harm of the action-filled climax. It’s light hearted and fun, with Estrada’s usual odd humor. If you’ve like Estrada’s comics in the past, you’ll probably like this one to.
Box Brown’s books were more revelatory for me, especially as I hadn’t quite understood the appeal his work seems to hold for so many people prior to reading these three books in a row. I think I’d read the wrong pieces before—most of what I’d seen were journal comics, and were fine as journal comics go, but it’s a form I’m pretty done with. The stories in these books, though, show Brown working out a set of concerns vitally important to him, though mixed fiction, non-fiction, and autobiography. They all relate to faith, documenting Brown’s own journey to comfortable atheism, but also his fascination with various mythological traditions, from the beliefs of ancient Sumerians, to spiritual philosophies of Buddhism, to the bizarre hucksterism of rapture cults. “The Great Disappointment” was the standout of Brown’s books for me, and possibly my favorite of the whole package, and I especially liked the books conceit of bookending the content with quick pictorial summaries of all the major world religion’s creation myths (“Alpha”) and Armageddon myths (“Omega”). The piece detailing Brown’s desired funerary rites in particular has stayed with me, for the intimacy and strange calm that it possessed.
You Can Do it Dong Gu documents several weeks in the life of a six-year-old, and authentically captures the intensity of a child’s equally compelling need to master trivial and impossible tasks.
The most unusual books in the set are Fusion Elementary and Fusion Future, both of which follow the reverse collaboration model of providing writers with completed art, and asking them to make up text to fit. (I was a fan of, and contributor to, Ryan North’s similar Whispered Apologies experiment, so this grabbed my interest right away.) Both exclusively feature the art of Nam Dong Yoon, which is fine, as his art is vibrant and fun. The major difference between the two is that Fusion Elementary gave each creator a standalone short story to work with, while Fusion Future attempts to string all of the pieces written by different creators together into a cohesive story. And it does ultimately create a comprehensible plot, but the need to do so left a number of the pieces along the way less satisfying than they might have been. There are certainly enjoyable bits in there (Shaenon Garrity wrote one of them, after all), but it’s the ones that do the best job of standing alone that are most memorable. As a result, Fusion Elementary, which allows all of the pieces to simply stand on their own, is the more successful of the two books.
For interested readers on a budget, I the sweet spot is the $25 pay level, which gets you all of the books except for You Can Do It Dong Gu. The latter book is enjoyable, but not enough to justify the jump to the $50 pay level, unless you’re really into the audio commentary file also packaged with that level. Six full-length books for $25 dollars is an excellent bargain, though, and well worth the cost.
If you’re not on a budget, then go right ahead and pony up the 50 bucks to get the fun Korean book too. That works out to just a smidgeon over $7/book, which is still a pretty sweet deal.
Update: Ryan adds “And if people post a review after paying any amount, I will upgrade them to the $50 bundle. So you can get ‘em all for a buck, if you want!”
This post first appeared on TwentySevenLetters – Comics And Writing By Alexa, please read the originial post: here
