I have been saddled with a chest cold for several days that is severely limiting my activities and making work feel like a real chore. In need of a little pick-me-up I came across this very early post from back in 2008 that is a good reminder of what I consider my work ethic. Reminds me that I need to dig a little deeper on days like this. See what you think:

This is a piece called “Labor to Light”, a smaller piece that is at the West End Gallery in Corning. It features one of what I call my icons, the field rows running back to the horizon. To me, they represent the act of labor and the results derived from it.  The ability to work hard has been very important to me in this career and something I stress to kids whenever I get to talk to them.

I remember years ago reading an interview with author John Irving (of “The World According to Garp” and “The Cider House Rules” fame) where he talked about his work routine. He talks quite a bit about wrestling in his writing as he was a high school and college grappler and he used a wrestling analogy to describe how he approached his writing.

He said that if he aspired to compete and win at the highest level as a wrestler, which would be an Olympic or world  champion, he would have to train harder and longer than the men he would be Competing against. If a wrestler in Bulgaria or anywhere else in the world was training 7 hours a day, he would need train at least that much and maybe more. He knew he would be basically competing against every wrestler in the world.

He then turned this mindset to writing.

His writing became a competitive effort of Olympic proportion, where he saw himself as competing with every other writer in the world for each reader that came into a bookstore. If you were buying someone else’s book, you weren’t buying his and in his mind, he had lost. So he began to train himself as a writer with the same effort as though he were an Olympic athlete, writing 7-8 hours per day, forcing himself to forge ahead even on days when it would be easy to just blow it off and do anything else.

When I read this it struck a chord. I realized that in order to reach my highest level I would have to be willing to devote myself to working harder and longer than other artists and be willing to spend more time alone, away from distraction. It would require sacrifice and hard, focused labor. But Irving’s example gave me a path to follow, a starting point.

I have since realized that there is a multitude of talented people out there, many with abilities and knowledge far beyond mine. But art is often more than sheer ability. It is the communication of an idea, a feeling, to others. And to do this successfully with your art you need to push that ability fully, in order to go beyond what your mind sees as an endpoint. I see this as my goal everyday in the studio. Sometimes I succeed and sometimes I come up short but I’m out there competing everyday.

Thanks, John Irving